Showing posts with label Entertainment. Show all posts
Showing posts with label Entertainment. Show all posts

Monday, November 7, 2016

The media giveaway helped Trump



The media grabbed profits, gave Trump $2 billion of free air time, and gave up any pretense of presenting objective news as a public service.

Read the full post on my new website:

Friday, October 21, 2016

I still don’t know who shot J. R.



It was 36 years ago.

More than 3 out of 4 American households—and half of the adults in this great land—tuned in to “Dallas” to finally learn who shot J. R.

Around the world, 350 million people watched the first episode of the third season of the blockbuster primetime “drama” to get the lowdown on the lowdown skulker who did the deed.

Some people didn’t watch the show. Like me. You can read all about it here. I’ll be honest, I skimmed the story on History.com and I still don’t know the name of the shooter.

Ignorance shall be my penalty.


I’m gonna guess that the number of folks in the U. S. who know that name is larger than the number of folks who know when the Constitution was ratified, and larger than the number of folks who know what “arsenal of democracy” means.



Go figure.








Copyright © Richard Carl Subber 2016 All rights reserved.

Thursday, September 22, 2016

Pricetag on bigotry



What does bigotry cost? Well, for starters, in North Carolina, it costs more than $200 million.

You remember this: the Republican-dominated legislature in North Carolina passed H.B.2 earlier this year, to prevent transgender people from using the public bathroom of their choice.

So far, that hateful act has cost the state and its business community and its citizens hundreds of jobs and more than $200 million in taxes and business revenues.

Why? One high-profile answer is: the NCAA canceled seven big sports events—including the NBA All Star game—that were scheduled in North Carolina this year. Another answer: Bruce Springsteen canceled a concert. Other businesses, organizations and musicians canceled performances, conventions and building projects.

Bigotry hurts. In many ways.

p.s. Really stupid bigotry hurts just as much as the other kind. This bathroom law was always unenforceable—no one ever thought the police would order sports fans in Bank of America Stadium in Charlotte to drop their pants for inspection before using the toilet.









Copyright © Richard Carl Subber 2016 All rights reserved.

Friday, August 26, 2016

Chautauqua, revisited



The 19th century successes of the Chautauqua Institution of New York have always appealed to me. I believe I would have been thrilled to attend the profoundly educational lectures of the itinerant speakers who followed the Chautauqua circuit. For some Americans—and for many middle-class women—the Chautauqua offerings were the closest thing they could get to a higher education.

The Chautauqua Institution was founded in 1874 as a teaching camp for Sunday school teachers. The concept spread through the United States. At its peak in the 1920s the movement offered a broad range of lectures and music on both religious and nondenominational topics, in more than 10,000 communities. By 1940 the network of originally Victorian-style centers of learning and culture had lost their mass appeal, after enriching the lives of more than 45 million men and women. Today, the Chautauqua Institution on the original site is alive and well, and still attracting many thousands of participants annually.

In the late 19th century, the notion of family vacations was becoming popular, partly as a result of increasing affluence and the expansion of rail travel. In a recent issue of The Massachusetts Historical Review, Anita C. Danker wrote:
“…a significant number of largely middle-class Americans chose to make constructive use of their increased leisure time, a by-product of industrialization, in ways consistent with their values and religious beliefs.”

The Chautauqua centers were attractive destinations. One such place was the New England Chautauqua Sunday School Assembly at Mount Wayte in Framingham, MA. From 1880-1918 it offered a steadily diversifying assortment of lectures and performances, drawing a dedicated audience from the area that would become MetroWest Boston. Those folks wanted to vacation in comfort and style, and they also were committed to a high-quality experience. Rail service to Mount Wayte was busy.


Danker explains:
“One form of vacation consistent with middle-class values and the moral climate of the New England region was the religious retreat…A critical mass of ordinary Americans displayed another powerful need, compatible with the ideal of a Christian vacation: the purposeful employment of leisure time for education and individual self-improvement.”


A reliable corps of attendees was “middle-class women, whose access to higher education was restricted by tradition and circumstance […they] formed the bedrock of the institution.”

Think of TED Talks without the clip-on microphone.

Source:
Anita C. Danker, “Redeeming the Time: Learning Vacations at the New England Chautauqua Assembly,” The Massachusetts Historical Review, Massachusetts Historical Society, Vol. 17, 2015, 67-97.










Copyright © Richard Carl Subber 2016 All rights reserved.

Saturday, July 30, 2016

Mindless media hype


Who watched the TV broadcasts of the Republican and Democratic conventions?

The short answer is: not too many people

More than 85% of adults in America didn’t bother to watch either of the nominees giving the big acceptance speech.



Fox News had the biggest average audience for all eight nights of the Republican and Democratic conventions—but, hold on, only 1.8% of adults were watching Fox on a given night.





Possibly we’re having the most emotionally charged presidential election of all time—Tom Jefferson and Andy Jackson and Teddy Roosevelt didn’t have television to deal with. It’s scarcely credible, but nevertheless, most Americans didn’t give a hoot about watching those big speeches. Obviously, most Americans didn’t learn anything much from them.



For the seeming endless hours of convention coverage by the broadcast and cable channels, much of the time only a tiny minority of Americans was watching, regardless of the pompous blather of Wolf and Rachel and Megyn and all the others.



While I’m on this topic, I’ll give a thumbs down to TheHill.com, which blasted this headline on its website yesterday: “Trump tops Clinton on speech ratings” and to TheHill writer Joe Concha, who started his story with “Donald Trump has defeated Hillary Clinton…” The underlying details tell a much less provocative story.

Here’s the detail: Trump had a reported audience of 34.9 million people, and Clinton’s audience was 33.3 million. The audience ratings are reported from a survey sample of about 5,000 viewers. I have long experience in the design of surveys, and I feel real comfortable guessing that the margin of error in this audience report makes it ludicrous to say one candidate “tops” another, or one candidate “has defeated” another. The viewing audience for Trump and Clinton was close to being the same, probably no significant difference between them.

In their convention coverage, the media generally didn’t take any opportunity to minimize the hype or the preposterous emphasis on discord.







Copyright © Richard Carl Subber 2016 All rights reserved.

Monday, June 27, 2016

The women who helped create electronic music



Electronic music doesn’t talk to me in a real loud voice, but this piece from OpenCulture.com rings a few bells.

It’s intriguing because it mentions the not too surprising fact that women were involved in the earliest incarnations of electronic music, back in the 1950s and even earlier.

Didja ever hear of Daphne Oram, Laurie Spiegel, Éliane Radigue or Pauline Oliveros?

I think it’s a good bet I can say “Of course you didn’t.”

OpenCulture explains that these women “represent a small sampling of too-often-overlooked electronic composers, musicians, engineers, and theorists whose work deserves wider appreciation, not because it’s made by women, but because it’s innovative, technically brilliant, and beautiful music made by people who happen to be women.”

Laurie Spiegel

Read a little bit about them and hear their ethereal music here.

Amen, sister.

I’m sticking with Odetta and Joan Baez (her early work), but this was a tantalizing interlude.












Copyright © Richard Carl Subber 2016 All rights reserved.

Sunday, June 19, 2016

Gee willikers, six miles an hour!



Roller coasters have been a hit since the early 1800s in France.

The first roller coaster in America opened in 1884 on Coney Island in Brooklyn.

Hold that thought.

First roller coaster - Coney Island
LaMarcus Thompson built that wooden wonder and called it the “Switchback Railway.” Basically, the cars started at one end of a slightly elevated track, rolled 600 feet to the other end, and then rolled back to the starting point. The ticket price was a nickel. That baby traveled at 6 mph. Ladies, beware!

Nevertheless, it was a big hit and by 1900 there were hundreds of bigger and faster coasters in operation around the country.

Today, the highest roller coaster in the U. S. is Kingda Ka at Six Flags Great Adventure in New Jersey. It’s 456 feet high and top speed is 128 mph. Gee willikers.






Copyright © Richard Carl Subber 2016 All rights reserved.


Friday, June 17, 2016

Ways to watch the circus


Ways to watch the circus:

No. 1
Buy a ticket and sit in a seat inside the Big Top. This way you can buy and eat popcorn.


No. 2
Get together with your pals to crawl under the side of the tent far enough so you can see what’s going on, and hear the music, and smell the popcorn and stuff.
Try to do this after the bobby has passed by, otherwise you’re going to be answering some difficult questions….


p.s. The coppers in Britain are called “bobbies” and sometimes “peelers,” in reference to Home Secretary Sir Robert Peel, who introduced an act in Parliament in 1829 to create an official police force in London. They do not routinely carry a gun.









Copyright © Richard Carl Subber 2016 All rights reserved.

Sunday, June 12, 2016

“…somewhere hot…”



Book review: A Pirate Looks at Fifty
Jimmy Buffett (b. 1946)
Ballantine Books, New York, 1998




Full disclosure: I’m not a Parrothead, but I’m related by blood and marriage to gen-you-wine Buffett fans, so I take the liberty of using familiar language, even though “the king of somewhere hot” has never seen me and isn’t likely to in this earthly paradise….

A Pirate Looks at Fifty is a memoir-ish book by Himself, written almost 20 years ago, I spotted it in the local library’s discarded book sale bin and I did the right thing.




Seems to me, for starters, no one should ever discard a book full of Jimmy Buffett stuff, he’s just so much in love with life and he is a magnet for vicarious attention, I dare you to read Pirate without getting at least a fleeting urge to head for the islands and see the world through Jimmy’s eyes.

You don’t even have to read the whole book (I confess, I didn’t), just read as much as gets the juices flowing and then get on with your regular life, and you can dip into it again any time you want. Buffett’s music and Buffett’s style are a buffet—grab what you want, anytime, sing along as the spirit moves, and go back for more whenever….


You don’t even have to like margaritas to get the full, slobbering, belly laugh, hijinksed, hot damn but mucho mellow effect when you sing along with Jimmy about the Mexican cutie and the lost shaker of salt.

I dare you not to sing a couple verses and the refrain right now, you have to, really….







Copyright © Richard Carl Subber 2016 All rights reserved.

Monday, May 16, 2016

They don’t make movies like this one anymore


Action! Aerial daredevilry! Romance! Intrigue!

You wanna see how the heat builds when two American flyboys head to France to give their all in World War I, and leave behind the gal that both of them ardently desire?

You gotta watch Wings, the $2 million extravaganza that pulled in the crowds and grabbed the first Oscar for Best Picture—in 1929.

Wings also won the first Academy Award for Best Engineering Effects. I imagine that was for the stunningly obvious jerky "dogfighting" of crude model planes dangling around each other in front of a not-too-convincing “sky” backdrop.


You probably want to know these names: Richard Arlen and Charles “Buddy” Rogers played the two air aces, and Clara Bow was the lady in question—she was in love with Arlen, but, sadly, committed to Rogers. These things happen in war.



You have to watch the movie to find out which one of the sky jockeys went down in flames.

So. About 250 people turned out for the awards ceremony. The winners were announced prior to the event (the sealed envelope surprises didn’t start until 1942). Of course, it wasn’t televised, because television hadn’t arrived yet. There was no standup comedian emcee, and I’m just guessing that there was no Beyoncé-style entertainment, and probably not too many daring necklines….

Oh yeah, one other thing: Wings is a silent movie. The Jazz Singer, one of the first “talkies,” had already made its debut, but “talkies” weren’t allowed in the 1929 Oscar competition.

You make your own decision about whether all this was the good old days.
  

p.s. Gary Cooper appeared in Wings as Cadet White, it was one of his early films









Copyright © Richard Carl Subber 2016 All rights reserved.

Sunday, May 15, 2016

Movie review: Hard Times


Movie review: Hard Times
1975  PG    94 minutes
Cast: Charles Bronson, James Coburn, Jill Ireland, Strother Martin
Director: Walter Hill


I watch this Bronson movie every few years or so, because it’s a heroic story, because it’s complete unto itself, because it generously invites the viewer to imagine the details that aren't specified, and because it's all about true grit.  (I like that movie, too).

Think you've got what it takes? If you're like me, you've never really had any "hard times." Chaney (Bronson) shows what it's like to be down to your last six bucks with nothing else to lose, and still manage to be courageous, honest, affectionate, high-principled, strong-minded, and in charge of your life. In the final scene Speed (Coburn) looks at Chaney walking away in the darkness and says "He sure was somethin'." He sure was.

They don’t make movies like this anymore. Really.














Copyright © Richard Carl Subber 2016 All rights reserved.

Monday, March 21, 2016

Alexander’s Ragtime Band


If there had been a Super Bowl in 1912, “Alexander’s Ragtime Band” probably would have been the biggie in the halftime show.


This old favorite by Irving Berlin was the top tune of 1911, selling many millions of copies of….the sheet music. Most people heard the song when someone in the family sat down at the piano to tickle the ivories. The iconic Victrola phonograph was just starting to get up some steam in the consumer market, and radio didn’t go commercial until 1920.

Scott Joplin

“Alexander’s Ragtime Band” is a simple version of ragtime—Scott Joplin could have played it with one hand tied behind his back, more or less. So more or less anybody could easily learn it and play it when it was a new release before World War I.








Here's a link to a 1911 recording made a few months after the song hit the market….and here's a link to The Andrews Sisters (their career spanned 1925-1967) doing their version.



You can sing along too, you already know some of the words:

“Come on and hear, come on and hear
Alexander’s Ragtime Band…
The best band in the land
They can play a bugle call
Like you never heard before…”













Copyright © Richard Carl Subber 2016 All rights reserved.

Tuesday, March 1, 2016

Lest we forget….


Maybe it was mentioned in the “too white” Oscar flub-a-dub, but I’ll just rack ‘em up one more time for Hattie McDaniel.

If you’re asking “Who’s Hattie McDaniel?” you’re not a Gone With The Wind fan.

Hattie McDaniel (1895-1957) was “Mammy” in that remarkably durable romantic swashbuckler.



She also was the first black thespian to earn an Oscar. She took Best Supporting Actress in 1940, one of the eight Oscars awarded to Gone With The Wind.







Hattie had many talents. She sang in traveling minstrel groups as a teenager, and was one of the first black women to be a radio singer in the U. S. She started doing films in 1932, and played the roles of maids and cooks in almost 40 films in the 1930s, capping that run with her memorable role as a house slave, opposite Clark Gable and Vivien Leigh.

Hattie’s portrayal of stereotypical black servants was criticized in some quarters, but she shrugged that off, saying she’d rather play a maid than be one.

Too bad it’s too late to say “You go, girl!”


p.s. my trusted personal advisor notes that Hattie—the only black person who was sitting down at the Oscar awards ceremony—wasn’t seated at one of the banquet tables with the white folks, she sat with her escort at a small round table near the kitchen door. Oh yeah, another thing: Clark Gable had intended to escort Hattie to the premiere of Gone With The Wind in Atlanta, but he was waved off—neither Hattie nor any other black person was allowed to attend the film showing.

Homework....think again....





Copyright © Richard Carl Subber 2016 All rights reserved.

Friday, February 26, 2016

Full circle….


I was born before the debut of commercial television. There was no TV on the wall in the maternity ward.

Of course, I’ve had a TV (and later, several TVs) in my home since I can remember. For better or worse….

I wouldn’t say I’ve been a TV junkie in my time, but yeah, sure, I watched my favorite shows for close to 60 years.

A few years back, for my taste, the “better” stopped happening and the “worse” started kicking in.

I just said “No,” cold turkey, seven years ago today. Stopped watching the boob tube. Stopped wondering what the heck was the appeal of reality TV. Stopped getting angry enough to yell at the screen during news broadcasts. Stopped wishing TV news would get sensible and meaningful.


So I don’t turn the TV on now. OK, I make exceptions for the Super Bowl and the State of the Union address and election returns in early November and maybe, every other year or so, an old movie I can’t find on one of the streaming sources.

I’m bound to say I don’t think I’m missing much.

The news media industry, particularly TV, has become a beast with no scruples. I think it is deranging our society.

At least, in the old days, we had Dragnet and Sgt. Bilko.







Copyright © Richard Carl Subber 2016 All rights reserved.